產品設計 展位空間 展覽 演講
PRODUCT . INSTALLATION . EXHIBIITION . TALK
2017年4月4日至9日 米兰 Salone Del Mobile
April , 2017 Salone Del Mobile, Milan
NERIHU X AGAPE
VIA STATUTO 12
Observing the growing density of cities across the globe,NeriHu’s design addresses the increasingly confined living spaces thaturban dwellers are confronted with. The Immersion bathtub, inspired bytraditional timber bathing vessels used in Japan and China, is deeper than astandard tub and occupies a smaller footprint. Similar to an onsen hot springexperience, the posture of bathing is more upright rather than reclined, butthe added depth allows a full immersion of the entire body for deep relaxation,while also enjoying the steam as it rises off the water surface. The resultingdesign features minimal lines, maintains elegant proportions and offers aunique and luxurious bathing experience.
NERIHU X ARFLEX
HALL 5, STAND B07
Arflex自创立之初就一直致力于与建筑师的合作。在受邀为品牌设计一款扶手椅时，如恩很自然地选择从 构造的角度入手。因此，设计概念源于沙发的结构本身，采取经典的三角形并以通过屡次重复制造出有趣的形态。串联着的皮带加固了沙发结构，也支撑着布面的靠背和坐垫，包围成摇篮的形状。这件家具继承 了这一意大利品牌一向使用粗犷风格，也融入了对结构的现代主义表达。与遮盖沙发结构从而营造漂浮感 的手法相比，Cradle沙发选择将支持结构暴露出来，极尽彰显精致的做工与优雅的细节。
Since its inception, a core value of the Arflex brand has been its design collaborations with architects. When architects NeriHu were approached to design an armchair, there was a natural desire to place emphasis on the tectonic aspect. As such, the genesis of the design concept is the structure itself, a classic triangulated construction that is repeated several times around the chair. Along with a leather strap fastened between the structures, a cradle is formed, which holds the fabric shell and soft cushions of the armchair. The piece draws both from the rich lineage of Italian furniture, known for its bold sculptural shapes, as well as from the modernist sensibility that demands an honest structural expression. Rather than conceal the framework and attempt to make the chair levitate off the ground, the elegantly crafted supporting elements themselves become the highlight of the piece.
NERIHU X ARTEMIDE
CORSO MONFORTE 19/VIA MANZONI 12
如恩为Artemide设计了极富诗意的“燕子”系列灯具，以诗情画意淋漓演绎了Artemide “TheHuman Light”的品牌理念。这款灯具凝练了上海活中的平常情景，捕捉了鸟儿在枝杈上休憩或在竹笼中啁啾的动人画面。该系列包括吊灯、落地灯和台灯，由黑色的支架和拉丝黄铜制成的“燕子”组合而成。可调理的轨道系统和灵活的组合功能为这一系列的灯具赋予了无穷可能。这些静态的“燕子”有着优雅的线条和极简的外形，散发出奇气，表达出设计师对城市和自然的敬意，充满无穷趣味。
Adopting Artemide’s guiding philosophy of “The Human Light,” where lighting is a means of improving quality of life, NeriHu’s design is a poetic interpretation of the concept. The charming image of birds resting on scaffolding or chirping within a woven bamboo cage—these are the delightful scenes of street life that one encounters daily in Shanghai. The collection, including pendant lamp, floor lamp, and table lamp, consists of black structures with brushed brass “yanzi,” or swallows, perched atop. Featuring two types of birds, an adjustable track system, as well as various extensions, there are endless possibilities to configure the light. With elegant lines and minimal shapes, Yanzi pays homage to both the urban and the natural, the rigid and the organic, while injecting a sense of playfulness into the design.
NERIHU X CLASSICON
HALL 16, STAND E30
意大利建筑设计师Vico Magistretti在1977年设计了名为Lyndon的系列灯具，采用线条简单的灯柱和球形的光源，形成有趣的对比，整只灯有如一朵发光的云彩。在Vico Magistretti死10周年之际，如恩特别设计了“灯笼”系列灯具，向Lyndon灯致敬。
Vico Magistretti designed a light in 1977 called lyndon with the idea of a structure holding a simple ball of light. The minimal approach to its support is contrasted with the delicate glass bowl with the idea of it reading like a cloud. To commentate the tenth year of his death, we selected the lyndon light to pay homage and created a light with the same spirit in mind.
In our everyday existence, light serves us by enhancing everything around it, while it itself is often neglected. Here, the inspiration comes from the quintessential source of light; like its ancient predecessor, the fiery torch, this design consists simply of an upright rod with an illuminated tip. Celebrating the glorious spectacle of light itself, the tinted glass shade is a modest attachment that branches off the main support to gently shield its centerpiece.
NERIHU X REALLY
HALL 20, STAND F18
Really是一家丹麦创业公司，致力于应对全球性的废物再利用的可持续发展,近被Kvadrat收购。今年米兰设计周推出了从纺织废料循环利用而成的坚固复合板，名为 “Solid Textile Board”。如恩为Kvadrat展厅设计的长凳和两款矮凳就采用了这种新型材料作为底部结构，每只凳子都配有Kvdrat面料制成的坐垫。受到建筑构造的启发，支座C形板背对背组合构成，并由黄铜螺栓连接固定，终构成I形的柱体。复合板采用深灰色由背靠背的C形平面构成，黄铜螺栓可将部件连结，形成I形的圆柱或长柱。复合板本身为深灰色，侧切面则呈现白色，暴露出夹层中的复合材料，展示出再利用材料兼具优雅与环保的可能性。
Really, the Danish sustainability start-up initiated as a response to the urgent global issue ofwaste, was recently acquired by Kvadrat. Really is launching Solid Textile Board in Milan this thin Kvadrat’s stand, NeriHu’s design for a bench and two stools features the new materialas a structural base, each topped with a padded cushion using Kvadrat’s signature king cues from architectural tectonics, the base consists of back-to-back C-shaped planes, when joined together with brass bolts, form the I-shape of structural columns and beams. The boards themselves are dark gray, while the end profiles are highlighted in white and exhibit the sandwiched composition of REALLY, to showcase that material reuse solutions can be elegant as well as eco-friendly.
NERIHU X OFFECCT
HALL 20, STAND F28
NeriHu approached the design for this piece with Offecct’s ethos on sustainability and functionality in mind. The coat hanging structure is a celebration of the unadorned nondescript multipurpose furniture in its simplest and modest form. Like a servant, it does not crave for attention but in its utilitarian approach brings grace, beauty and usefulness to a household.
THE HANGER USB
NeriHu designed the USB stick this year to resemble a section of the NeriHu hanger piece that is part of the offect collection.
NERIHU X POLTRONA FRAU
HALL 20, STAND C01-F06
SUPPORTING REN EXTENSION
The collection’s name refers to the Chinese character “ren” which means people. Since the very inception of the language itself, appearing in oracle bone inscriptions, the two simple strokes are a pictographic representation of the human figure. The longer stroke leans over gently while the thickened short stroke forms a steady base to support the other—one could say that the two depend on each other for stability, which is exactly the tectonic expression of parts that is featured in each item of the collection. Every piece consists of two “ren” forming the main structure in wood, carrying between them the secondary structures, also in wood. Functional elements sitting atop are softer with curvilinear contours, wrapped in rich leather, while bronze details add a touch of luxury to the design. The extension to Supporting Ren series adds a Chair, Love Seat, Bookshelf, Magazine Rack, and Table Mirror to the collection. Going beyond the accessories category, these pieces not only provide functionality, but also begin to define the space of a room.
NERIHU X STELLAR WORKS
OFFICINA, VIA TORTONA 31
NeriHu’s design for the Mandarin series pays homage to the Art Deco influence on Shanghai in the 1930s, whose architectural legacy is still found in many parts of the city today. Inspired by the unique confluence of Western and Eastern ideologies during that time, the structure of the pieces takes cues from the expressed joinery and hierarchy of Chinese carpentry, but at the same time, breaks the rigidity of traditional imperial furniture with upright stiff backs and flat seats. The leather elements in the Mandarin series are shaped in gentle curving lines; they can be said to have roots in the mid-century experimentations with molded plywood that are a cornerstone of Modern furniture. As a result, the pieces have an unmistakably contemporary look and feel, while harkening a sense of connection to history and culture.
新版 "外滩" 系列家具
BUND REVISED COLLECTION
Inspired by the Bund, a lasting symbol Shanghai’s past, present, and future, this series combines elements not only from its industrial origins, but also from its splendid colonial history. The soft curves and rich leather and fabric finishes, as well as the wooden legs pay homage to the Art Deco style which is permanently ingrained in the DNA of the city. Meanwhile, it is the precision machined metal parts which attach base to seat that brings the whole piece together as a unified whole.
Drawing from their architectural backgrounds, NeriHu have designed a series of tables that celebrates one of the most simple, yet effective, structural configurations possible. A triangular form is the most rigid known to man, triangulation of material adds strength by reducing lateral movement. Each of the three legs shares the structural burden equally, bound together by a leather strap, they form an incredibly stable support for the various table tops above. The table tops vary not only in material but size, and each results in a different angle and spread of the legs, to aptly reflect the notion of carrying a load. At the same time, the tapered legs and delicate proportions of the Tripod Tables make their structural function look effortlessly graceful.
NERIHU X VIABIZZUNO
VIA SOLFERINO 18
SUL SOLE VA 吊灯
SUL SOLE VA
In our everyday existence, light serves us by enhancing everything around it, while it itself is often neglected. Here, the attention is given back to the source of light, treating it as an invaluably precious, albeit fragile, element. With its delicate wiring and bulb exposed, it requires the additional armature and structural support of the leather strap and brass hooks, while the glass bulb cocoons around and protects its gentle glow.
NERIHU X KVADRAT
HALL 20, STAND F18
THE EXPOSED CUT
For 2017, NeriHu inverts their own design of the booth from last year’s fair by featuring an exposed scaffolding structure. Questioning the typical construction at fairs—the vulnerability and temporality of structures behind their polished and impeccable frontages—NeriHu chooses instead to reveal and celebrate the underlying framework within. This allows the fabric boxes floating above to not only be experienced from within, but also viewed from outside; clad in textiles equally beautifully woven on both front and back sides, it was also an opportunity to showcase the high quality of Kvadrat fabrics. With an oak platform as the base, various areas rise and fall to interact with the boxes overhead and to define distinct zones and functions. The largest platform offers a democratic and welcoming place to sit and observe, a sublime moment of tranquility within the chaos of the fair.
NERIHU X STELLAR WORKS
OFFICINA, VIA TORTONA 31
郭锡恩手稿 Sketch by Lyndon Neri
For 2017, NeriHu’s design of the Stellar Works booth revisits the notion of
domesticity, where the home is not only a container for our most precious objects, but also a journey through the psyche—our innermost obsessions, curiosities, and dreams. The design intervention inserts an archetypal “house” into the space with a curated path. Upon entering, a prolonged procession guides visitors gently away from the hectic world outside and establishes a deep sense of interiority. Once within, the atmosphere is light and calm, furniture collections placed with a quiet sense of familiarity. Through a discreet opening, a darker secondary path is nestled between the house and the existing building shell. Ascending upwards and around, various openings along the way reveal furniture pieces to be viewed from unconventional angles, transforming the seemingly banal domestic scene into a journey of wonder and delight.
NERIHU X LEXUS DESIGN AWARDS
VIA LE ALEMAGNA 6
TIME: 10:30 - 20:00 APRIL 3RD
Lexus Design Awards was launched in 2013. It is an international design competition that targets up-and-coming creators from around the world. The award seeks to foster the growth of ideas that contribute to society by supporting designers and creators whose works can help to shape a better future. As the mentors since 2014, Lyndon Neri and Rossana Hu will be present at Lexus Design Award 2017 in Milan.
NERIHU X INTERNI
HALL DELL’AULA MAGNA
NERIHU X FRAME
ROOM MATE GIULIA VIA SILVIO PELLICO 4
LYNDON NERI’S TALK
JOURNEY HOME TO THE UNFAMILIAR
地点：ROOM MATE HOTEL
VIA SILVIL PELLICO 4
TIME: 18:00 - 19:00 APRIL 5TH
VENUE: ROOM MATE HOTEL
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